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Syndication

The team from FANgirl Blog dive into the New York Times Bestselling novel Star Wars: Bloodline by Claudia Gray.

Direct download: HyperspaceTheories_18.mp3
Category:general -- posted at: 8:35pm EDT

This month on Hyperspace Theories, we discuss how the music of Star Wars enhances the storytelling in The Force Awakens. Joining Tricia, B.J., and Kay for the episode is Sarah Woloski, who co-hosts Fangirls Going Rogue with Tricia and Teresa and Skywalking Through Neverland with her husband Richard. All four of us have instrumental musical backgrounds, and we share how our experiences learning and performing music have shaped our appreciation of the music of Star Wars.

In previous episodes, we’ve used the meta segment – where we talk about how to speculate wisely – to analyze the impacts of some of the foundational figures in Star Wars storytelling, including George Lucas, Dave Filoni, Kathleen Kennedy, J.J. Abrams, and more. This month, we add maestro John Williams to the list. Of course, his amazing career spans dozens of famous movies and numerous famous musicals themes – Jaws,Indiana Jones, Superman, E.T., and Jurassic Park, to name only a few – but just as Star Wars is in a class by itself in cinema history, so too is Williams’ iconic Star Wars music. As much as anyone, Williams has added to the language of Star Wars storytelling with the themes, melodies, motifs, and other musical details weaved throughout the Star Wars films. From the powerful tones of the “Main Theme,” “Imperial March,” and “Duel of the Fates” to lyrical refrains like “Han Solo and the Princess,” “Yoda’s Theme,” and the “Force Theme,” the music adds considerable depth and emotional weight to the story.

In the worldbuilding segment, we consider how the soundtrack of The Force Awakens elaborates upon the characters and storytelling in the movie. Williams has described his use of deliberate musical connections to the previous films in some respects, while also shaping new music for other places in the film. Among the tracks we discuss are “The Scavenger” and “Rey’s Theme” for the new heroine, Kylo Ren’s motif for the new villain, “Torn Apart” for the fateful showdown, “March of the Resistance” and “Scherzo for X-wings” for the new heroes fighting back against the First Order, and “The Journey Home” and “The Jedi Steps” that bring the movie to a close.

With so much to say about Williams and his music, we’ll resume with our other usual segments in the next episode. Stay tuned for more analysis of The Force Awakens and the future of Star Wars storytelling.

You can also listen to Hyperspace Theories at Libsyn or download the show there. Or subscribe on iTunes. If you listen, please rate us and write a review as a simple offer of gratitude. Hyperspace Theories is now available on Stitcher, as well.

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Direct download: HyperspaceTheories_17.mp3
Category:general -- posted at: 9:36pm EDT

The FANgirl Blog team roll up their sleeves and read a lot of Star Wars books. The Journey to The Force Awakens publishing push offer hints and clues about the state of the galaxy far far away. 

Did Leia find a way to balance love and duty? Is Han still on the skids after all these years? And how much does Luke know about being a Jedi? 

Tune in to Episode 12 of Hyperspace Theories and find out what we uncovered.

Direct download: Hyperspace_Theories_12.mp3
Category:general -- posted at: 9:15pm EDT

Tricia, B.J., and Kay share their adventures at Disneyland on the day before the convention begins. Linda Hansen-Raj from FANgirl Blog joins us. 

Direct download: SWCA_Apr15.mp3
Category:general -- posted at: 11:37pm EDT